Photographer quotes...

"The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing." Henri Cartier-Bresson | "Sometimes I do get to places just when God's ready to have somebody click the shutter." Ansel Adams | “The whole point of taking photographs is so that you don’t have to explain things with words.” Elliott Erwitt

SECRETS FROM ABOVE - Burnside 35 Mini Series 1
A mini series of images exploring the use of the Lensbaby Burnside 35. It’s “a new kind of creative effects lens made for photographers who need to create images that stand out. It’s for artists who want to see their vision take shape in the real world.” Needless to say I’m loving this lens and it fits with my photographic style and vision perfectly. I’ve wanted to be more creative in camera at the moment of capturing the image and the Burnside 35 allows me to do exactly that.
2018
Project: Interior | Black & White | Architecture | Mini Series | Burnside 35
WEST WALES COAST - Burnside 35 Mini Series 2
Another mini series of images exploring the use of the Lensbaby Burnside 35. It’s “a new kind of creative effects lens made for photographers who need to create images that stand out. It’s for artists who want to see their vision take shape in the real world.” Needless to say I’m loving this lens and it fits with my photographic style and vision perfectly. I’ve wanted to be more creative in camera at the moment of capturing the image and the Burnside 35 allows me to do exactly that.
2018
Project: Coast | Black & White | Water | Mini Series | Burnside 35
TREES - Burnside 35 Mini Series 3
Another mini series of images exploring the use of the Lensbaby Burnside 35. It’s “a new kind of creative effects lens made for photographers who need to create images that stand out. It’s for artists who want to see their vision take shape in the real world.” Needless to say I’m loving this lens and it fits with my photographic style and vision perfectly. I’ve wanted to be more creative in camera at the moment of capturing the image and the Burnside 35 allows me to do exactly that.
2018
Project: Nature | Black & White | Trees | Mini Series | Burnside 35
IN THE CITY - Burnside 35 Mini Series 4
Another mini series of images exploring the use of the Lensbaby Burnside 35. It’s “a new kind of creative effects lens made for photographers who need to create images that stand out. It’s for artists who want to see their vision take shape in the real world.” Needless to say I’m loving this lens and it fits with my photographic style and vision perfectly. I’ve wanted to be more creative in camera at the moment of capturing the image and the Burnside 35 allows me to do exactly that.
2018
Project: Urban | Black & White | Details | Architecture | Mini Series | Burnside 35
W I N T E R 2 0 1 8
When 'The Beast From The East' met 'Storm Emma' in Cardiff.
2018
Project:Urban | Weather | Street | Black and White
L O N D O N 2 0 1 8
Urban tones of 'The City' captured during February 2018.
2018
Project: Urban | Street | Black & White | Architecture
AUTUMN II
A collection of monochrome images captured during this autumn.
2017
Project: Long exposure | Still life | Street
PORTRAIT 1
An experiment in motion with model Ffion Phillips at St Ives
2017
Project: Motion | Portraiture | Monochrome
COLOUR I
A collection of miscellaneous colour images.
2017
Project: Colour
VESSELS
This project explored the tools that Cornish fishermen use to collect their catch twice a day but mainly their boats and the textures found on them.
2017
Project: Still life | As found
VACANT
2017
MY CARDIFF
A collection of images of the little things that have caught my eye whilst walking around my home city of Cardiff.
2017
Project: Street | Still life | Long Exposure | Miscellaneous
BUBBLES
A macro still life study of bubbles with emphasis on depth of field and structure.
2017
Project: Macro | Still life | Depth of field | Structure
PINS
A macro still life study of vintage dressing pins with emphasis on depth of field.
2017
Project: Macro | Still life | Depth of field
CONKERS
This colour study of horse chestnuts is rare departure from black and white. I couldn't resist their rich, deep and warm hues.
2017
Project: Still life | Colour | Lighting
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